Black Sparrow Books is thrilled to publish Wishbone, the latest collection from Don Share, senior editor of Poetry magazine in Chicago. Share recently spoke with Chapter 16 ("a community of Tennessee writers, readers & passersby") about his new book, the centennial year of Poetry magazine, and his Memphis roots.
From the interview:
Chapter 16: The title poem, “Wishbone,” begins
with a clear, assertive voice: “I have a bone to pick / with whoever
runs this joint.” The “joint” is our world, and the god here comes
across as an inept manager who has some communication problems with his
staff. Many poets find it quite difficult to approach religion in poems.
What are some of your strategies for doing so?
Share: Yes, the joint is the whole big world: there are times
when we ask, “Hey, who’s running all this?” “Looking Over My Shoulder”
talks similarly about the “man upstairs.” It’s not that God is inept,
but it’s more about that feeling we have sometimes: “Who do we complain
to?” I’m playing around with that desperation—and whininess. As it
happens, “Wishbone” is in the voice of a dying cat, and from his
perspective, human beings are in charge, making godlike decisions in the
face of which he feels powerless, though this is a tough cat and he
suffers no loss of nobility or character even at the very end of it all.
Needless to say, a cat can’t talk; I wanted to give one language for a
short spell so he could speak his piece. A bit of tragicomic relief, you
might say.
Chapter 16: In your blog,
you quote Jeanette Winterson, who recently rebuked the notion that
poetry is a luxury, something to do when one has leisure time: “A tough
life needs tough language—and that is what poetry is,” she wrote. “That
is what literature offers—a language powerful enough to say how it is.
It isn't a hiding place. It is a finding place.” Can you talk a bit
about how your own poems in Wishbone serve as a finding place?
Share: That quote is in Winterson’s latest book, Why Be Happy When You Could Be Normal?
and it means a lot to me. A writer’s job is to say how it is. Well, I
suddenly find myself at the age when real loss sets in. I was used to
being so young! So I’m finding out what we all find out, if we stick
around long enough. But it’s not easy, and we certainly don’t have much
choice. The poems in Wishbone describe what it’s like to
have obstacles thrown in your way, but there really is something both
funny and sad about it. That’s what we find out, if we stick around long
enough: what can be said.
. . .
Chapter 16: Are there any ways in which you see
yourself as a specifically Southern writer? Any ways growing up in
Memphis particularly has affected your poems or the way you think about
the nature of your writing?
Don Share: I do see myself as a Southern writer. My first book, Union,
was very explicitly about Memphis and about the South in general. I
don’t live there now, but its whole way of life has warmly permeated
everything I think and do; it never leaves me. The music, the food, the
weather, the way people talk—these things are not clichés; they
nourished me every step of the way. You are where you come from.
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