A really insightful and generous review from Kathryn Crim at
The Boston Review, of Charles Reznikoff's moving long poem,
Holocaust. Crim writes that
Holocaust 'remains open like a photograph, shocking and repellent. Unlike a photograph, however, we cannot easily turn away from it; its length demands engagement with these atrocities for the duration and requires us to become – as the poet became – a witness. . . . The reissue of
Holocaust and the resurrection of its modest author argues for the kind of moral vision and voice perhaps only poetry provides.'
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