Holdouts!: The Buildings that Got in the Way

Holdouts!: The Buildings that Got in the Way by Andrew Alpern and Seymour Durst chronicles the history of New York City buildings that refused to sell to developers (with often absurd results). Godine, with the Old York Foundation, has brought it back with a new edition. First published in 1984 by McGraw-Hill and then in 1997 by Dover Publications as New York’s Architectural Holdouts, this third edition gives a fresh look to these incredible, true stories of New York’s architectural progression.

The new edition of Holdouts! is hot off the presses and available for sale starting today. Included in the book are amazing photographs that were re-scanned from the originals, as well as a new foreword by Vishaan Chakrabarti (acclaimed architect and head of the real estate development program at Columbia University).

But what better way to illuminate the history of this curious book and simultaneously announce the new edition than in limerick-form? That’s how I see it anyway. And incidentally, Mr. Alpern, thrilled about the new foreword, new design and all-around sexiness of this edition, has done just that. Please enjoy (click on the poem and cartoon to view full size)!

Superior Person's Tuesday!

Juvenescent a. Becoming youthful. An extraordinary word, when you think about it. After all, no one does this. Why should there be a word for it?



Each Tuesday, we’ll offer up a Superior Word for the edification of our Superior Readers, via the volumes of the inimitable Peter Bowler. You can purchase all or any of the four Superior Person’s Books of Words from the Godine website. Juvenescent appears in the Second.

Well Then There Now - starred review in PW!

The latest Black Sparrow release, Well Then There Now by Juliana Spahr, has just received a fabulous starred review in Publishers Weekly!

"Spahr's fifth book of imaginative writing (both poems and prose) should be a blockbuster, a lasting disturbance; a work of crisp wit, bizarre conjunctions and ultimately enduring moral authority; it is also the best, and perhaps the most widely accessible, thing that Spahr has done. . . . "

The Interns Do New Hampshire!

Somehow the words “field trip” still hold every bit of excitement that they did ten odd years ago in grade school. To start off this week, John, Hector, and I spent two work days in various parts of New Hampshire learning all about key elements in the publishing process.

First stop: Our warehouse in Jaffrey, NH. There we put faces to the familiar names of other members of the Godine team, toured the facility, and learned a rudimentary life skill – how to properly jacket a book! John and I spent quite a bit of time with children’s book Catie Copley’s Great Escape by Deborah Kovacs and Jared T. Williams. John, in particular, quickly became Catie’s biggest fan, though let’s just say his prospects as a professional book jacketer do not look very promising [I would like to interject here. In my defense, if I devoted twice as much time to jacketing each of Catie’s books, it was only out of my deep love and respect for that noble canine and my general inability to place the title of the book on the spine. – John]

Next: Monadnock Paper Mills! We made our way there with David and were treated to an informative PowerPoint presentation, explaining what we were about to see. A good thing we were given that information first – who knew making paper was so noisy? Armed with protective goggles and earplugs, we eagerly snaked our way through the mill, observing all stages of the process. It was really eye-opening to witness the entire progression from raw wood fiber to finished paper, and I’m sure I speak for all of us when I say I look at the pieces of paper I see every day (which I’ve often so willingly discarded) in a whole new light.


How else could we cap off an exciting day other than with a trip to Shaw’s? David insisted we have the Shaw’s experience and it’s no wonder why – it’s the closest I’ve come to Wegman’s (my hometown favorite). David and I dropped off Hector and John with a rough list of groceries and returned twenty minutes later to discover Hector had mistakenly purchased a rather expensive hydroponic tomato. We refuse to let him live this down and of course had to take a picture for the blog. [Pardon me for interrupting, but I’m going to just throw my two cents in before Ellie further slanders my character. Those labels at Shaw’s are very misleading, and these particular tomatoes happened to be adjacent to some other tomatoes that were being sold by the pound. Naturally, I assumed that, with a similar price being advertised, these tomatoes were also being sold for a few bucks per pound. It was only after paying for the groceries that I discovered the devious pricing scheme at Shaw’s, having paid a few bucks for that one tomato. Bottom line: It could’ve happened to anyone. That is all. – Hector]


Our final destination for the evening was gorgeous Dublin, NH, past summer home of none other than Mark Twain. David’s home in NH is actually the same house where Twain was famously photographed in a series of seven shots smoking a cigar on the white-pillared porch. The view was breathtaking and it was truly amazing to look out into the distance at the same scene the American author had observed many years before. After taking in the sights, we manned our stations and put together a summery Mexican-themed meal and then treated ourselves to ice cream. When the last dish had been rinsed we interns still had some day left in us, so we spent a few hours playing a game Hector taught us called Liar’s Poker (a card-version of the dice game Mentirosa). Apart from John and Hector attempting to cheat by speaking Spanish so that I wouldn’t know what they were saying, it was great fun.


The sun rose early Tuesday morning and after breakfast we waved our goodbyes to the magnificent house and stopped back at the warehouse. There we spent some time organizing the reference library and exploring the current stock of books. Then we took to the road for our last two destinations – Capital Offset and New Hampshire Bindery, both located in Concord, NH.

At Capital Offset, a premium printing company, our tour included an overview of the impressive machinery the job requires, and an explanation of where the name “offset” comes from. Offset printing is actually a type of printing that involves transferring an image from a lithographic plate to the paper via a rubber blanket of sorts. We witnessed this method ourselves and were able to distinguish the high quality results. After our thanks for the tour, we departed for the New Hampshire Bindery, only a few blocks down the street. What looked like a rather average-sized building on the exterior soon became a massive factory as we stepped down into the immense basement. By the end of the tour of the facilities, we really had a full appreciation for the many steps involved (in proper book-making) and had a sense of how to tell a well-crafted book from something less than lustrous. Speaking of luster, the New Hampshire Bindery is one of the few places left in the US that still does gilding, and we got to watch two guys and an old machine transform regular books into gold-hemmed tomes.

We really couldn’t have asked for a more fun-filled and informative trip! Many thanks to Richard Verney of the Monadnock Paper Mill, Jay Stewart of Capital Offset, and Tom Ives of the New Hampshire Bindery for hosting us at their facilities.

Roger Ebert endorses Farnsworth's Classical English Rhetoric!

None other than the great Roger Ebert endorses Farnsworth's Classical English Rhetoric by Ward Farnsworth on his Facebook page:

"God help us if blog writers get their hands on this book. It's a lot more fun than it may appear. Farnsworth identifies types of rhetorical strategies and illustrates each one with a wealth of quotations which make the book wonderfully readable. Not dry as dust but lively and inspiring."

Very cool!

Superior Person's Tuesday!

Monoplegia n. Impressive medical name for writer's cramp. Overtaken, now that the pen has been replaced by the computer, by osteoarthritis of the small joints – especially, if, like most authors, you use only two fingers.


Each Tuesday, we’ll offer up a Superior Word for the edification of our Superior Readers, via the volumes of the inimitable Peter Bowler. You can purchase all or any of the four Superior Person’s Books of Words from the Godine website. Monoplegia appears in the Third.

Oy Gutenberg

If you're interested in print design, you probably are already subscribed to Steven Heller's "The Daily Heller", a daily email from Print Magazine. Yesterday, Heller shared an excerpt from The Justification of Johann Gutenberg, a novel by Blake Morrison, which convincingly fictionalizes Gutenberg's personal need to insure his place in history. Heller writes "[F]or lack of much solid information on the Herr Gutenberg, this book serves as the next best thing":

"When Mainz was torn apart two years since, and the men from my old printshop flowed out into the world, I hoped my name would spread with them. In idle moments, I have dreamt of a stream of visitors seeking me out, eager to see Gutenberg, the man who minted Bibles, the dung that grew the flower. Many times I have rehearsed the scene. A knock below. A Stranger announces himself to my trusty servant, Frau Beildeck. Is this, he asks, where the Print Man lives, the Press Master, he who conceived artificial writing? Indeed it is. Frau Beildeck ushers him up to where I sit among my books. Cap in hand, he looks ready to kiss my feet but contents himself with bowing. He is sorry for the lateness of the hour, but he has journeyed far, and it was not easy to find me. He is bashful at first – until I offer him a jug of Rheingauer, which Frau Beildeck fetches from my cellar, and his tongue loosed. He has lately set up a printshop, he says, but is bedeviled by difficulties. If I could spare an hour speaking mechanical with him – on how to secure blocks of type on the coffin of the press, what consistency of ink to use, what quality of paper, and so forth – he would happily pay me. Perhaps a fee should be paid me for dispensing advice. Years of my working life were spent in debt, and now men come to plunder the riches of my retirement. But instead I give myself freely, and an hour becomes two or three, and with my visitor too many to care to leave, I fetch a second jug, offer a bed for the night and ask Frau Beildeck to make us a rib and sauerkraut . . ."

Miss Etta and Dr. Claribel on "Jewesses with Attitude"

You know it's a good day when a Godine title is featured on the Jewish Women's Archive "Jewesses with Attitude" blog. Ellen K Rothman was kind enough to contribute a post on the Cone sisters and Miss Etta and Dr. Claribel: Bringing Matisse to America:

Growing up in Baltimore in the 1950s and 60s, we got our doses of high culture at the Baltimore Museum of Art. The National Gallery was only an hour away, but I don’t remember visiting it until I was in college.

To get to the BMA, we drove from our neighborhood—where there were lots of Jewish families—across a main road (sometimes referred to as “the River Jordan”) through a neighborhood then largely off limits to Jews, to the museum. At the bottom of the front steps was a full-size copy of Rodin’s “The Thinker.” Once inside, we usually started by daring each other to visit the mummy on display in the basement. The upstairs galleries were full of paintings of the thoroughbred horses that were almost as important to the local culture as the hard shell crab.

But the jewel in the museum’s crown then as now was the Cone Collection. This was the first place I saw paintings by Matisse and his contemporaries. Little did I know that the collection amassed by Etta and Claribel Cone was one of the finest anywhere in the world.

Somehow I did know that the women who created the Cone Collection and, after many years of indecision, bequeathed it to the people of their, and my, native city, were Jewish. My grandparents had lived for several years in the building where the sisters and one of their brothers had adjoining apartments with 17 rooms crammed full of art brought home from their world travels. I knew, too, that there was a connection between Etta and Claribel (as we always called them) and Gertrude Stein, another member of Baltimore’s German Jewish elite. My great aunt was married to Gertrude Stein’s nephew. Long before I read anything by or about Stein, I knew that she was, as we might say here at JWA, a Jewess with a bad attitude.

The story of Etta and Dr. Claribel (who pursued the medical career that Gertrude Stein abandoned) is beautifully told in Susan Fillion’s new book, Miss Etta and Dr. Claribel: Bringing Matisse to America, published by David R. Godine. Generously illustrated by reproductions of paintings in the Cone Collection and by Fillion’s own inspired paintings, the book relates how these two unmarried, Jewish women transformed themselves into serious art collectors and early patrons and lifelong friends of Matisse. While Fillion had a young adult audience in mind, readers of any age will enjoy her graceful, accessible, and informative storytelling as much as I did.

Superior Person's Tuesday!

Rhynchocephalian a. Pertaining to an almost extinct order of lizardlike reptiles. The implication of this dictionary definition is that the creature in question is not a lizard, merely like a lizard. In that case, what is it? In any case, suitable as a descriptor for any of your acquaintances who are lizardlike and reptilian.

Yes, folks, that is Reptar from Rugrats.
If you have a little time, you should really check out this clip.

Each Tuesday, we’ll offer up a Superior Word for the edification of our Superior Readers, via the volumes of the inimitable Peter Bowler. You can purchase all or any of the four Superior Person’s Books of Words from the Godine website. Rhynchocephalian appears in the Third.

J.M.G Le Clézio

My name is John Shakespear. I'm a Cambridge boy, a compa-rative literature student, and – you guessed it – one of the summer interns at Godine. When we were recently moving shop to our new office at 15 Court Square, my fellow intern Ellie and I packed up the reference library and occasionally a book would catch our eye. I noticed the name J.M.G. Le Clézio, and I wound up picking up his book Desert.

I was drawn in by Desert's opening pages, which depict the dreamlike descent of a tribe to a long-awaited oasis, and I took the book with me and resolved to find out more about Le Clézio. I learned that J.M.G. stood for Jean-Marie Gustave, that he won the 2008 Nobel Prize in Literature, and that he spoke at the 2011 Seoul International Forum for Literature in May. In the days leading up to that event, Le Clézio gave a very interesting interview with Lee Sun-Min of the Korea JoongAng Daily in which he talked about the role of literature in our modern, globalizing world. Here's what he had to say:

“The subject the forum is going to talk about – the globalizing world and the human community – has been talked about frequently at many other forums as well worldwide. However, it is still important, it is discussed over and over again, since literature is something that travels across national borders. Of course, there is a limit, since the original words of literature are written in a (native) language. But as long as they deal with factors and ideas that all human beings can sympathize with, they will carry their power.

I heard this story, if you take a picture of all the human races and show 20 pictures every second, people cannot tell who’s Asian and who’s African and who’s European. Eventually, all the faces appearing look the same. This shows that there is something universally inherent in humans. What literature needs to do is find that inherent universal thing in humankind and let more people know about it.”

Le Clézio’s faith in the power of literature to tap into universal, borderless human experiences and sentiments is at the heart of his 1980 novel Desert, which was first published in English translation by Godine in 2008 and has now become an eBook. The sprawling, beautiful narrative crosses national borders and the first half of the 20th century as it tells the parallel tales of one son and one daughter of a nomadic Saharan tribe called the Blue Men. What really struck me about Desert was Le Clézio’s ability to use language to pull me off of my couch, out of my air-conditioned apartment – in short, out of my comfortable life – and into a world governed by very elemental and immediate human needs. Thirst, hunger, spiritual nourishment, staying warm – these are all essential aspects of what it means and has always meant to be human, but they can lose their immediacy for those who, like me, are lucky enough to live fairly comfortably. It was refreshing to read Le Clézio’s elemental, sensory prose, which draws out the natural danger and beauty inherent in those basic realities.

The rest of the interview can be found here. The eBook edition of Desert is now available at the Google eBookstore.

Superior Person's Tuesday!

Dissave v. Believe it or not, this delightful word means exactly what it ought to – the opposite of "save." To dissave is to spend more than one's income by drawing upon one's savings or capital. In a sense, it could be said that the ultimate object of all saving is dissaving; this is something that not many people realize.



Each Tuesday, we’ll offer up a Superior Word for the edification of our Superior Readers, via the volumes of the inimitable Peter Bowler. You can purchase all or any of the four Superior Person’s Books of Words from the Godine website. Dissave appears in the Second.

Correspondence on Bookslut

A big thank you goes out to Colleen Mondor at Bookslut for her review of the new Godine novel Correspondence: An Adventure in Letters by N. John Hall. Colleen recommends Correspondence as "an armchair education on Victorian literature":

"Dickerson's evolution from mildly interested to deeply committed is a joy to follow and the many lessons on the Victorians that Hall artfully embeds in the text are welcome to anyone who wants to know more without tackling a biography (or night school). In many ways, Correspondence serves as the best sort of English textbook; it contains a bit of a mystery, some warm exchanges between friends, and more than one kind word for some truly great writers. An AP English student would find much here to worth adding to his classroom education but I can't help thinking it is people who find themselves in circumstances similar to Dickerson -- finally with the time on their hands to learn all they missed -- who will most likely embrace it. These are literary lessons at their most amiable and a tonic to the chaos of the world around us."

Independence Day by Mark Doty

In honor of the Fourth of July holiday, we wanted to share an excerpt from a poem from Turtle, Swan by the incomparable Mark Doty:

Independence Day

Benches spangled in shade,
billows of bunting in river breeze,
the esplanade blazing: blanket to blanket
and cooler to cooler, their quarter-million radios’
zones of sound overlapping, a quarter-million
have gathered early for the fireworks.

The two of us can’t help but feel part
of this immense party: everywhere
we are spread on quilts, masked in visors
and sunglasses. The collective future’s decided,
I guess, by these crowds—more of us
than I’ll ever see in one place, and all out

for a good time. We all stake claims:
sometimes even a makeshift tent or string fence
marks a chosen portion of view,
though everyone seems more interested
in the community of viewers. We wonder
if the scene might be much different in war

or disaster—these could be refugees
lugging their portable households—
but these are cheerful explosions, surprises
and mock danger everyone seems to like.
Glow-in-the-dark headbands begin to shine
as evening comes on, electric pink

or blue, as if the buyer could wear a thin stripe
of the neon that will later burst
over the water, a fire to keep.
The faces of the vendors
who carry hundreds in swaying bundles
glow in the light of their fifty-cent toys.

. . .

Back when we were both very young, Godine had the honor of publishing the first two poetry books of Mark Doty, who has since gone on to considerable and deserved fame and fortune, winning the National Book Award for Poetry in 2008, as well as honors from the National Book Critics Circle, the LA Times Book Prize, a Whiting Award, and (as the first American in its history) the T.S. Eliot Prize. This fall Godine will publish Paragon Park, a new collection with the complete texts of Doty's Turtle, Swan and Bethleham in Broad Daylight along with almost two dozen poems that have appeared in small magazines but have never before been collected.

Printing Arts Fair in North Andover, MA

Bright and early this past Father’s day morning, this daughter set out for North Andover, MA. I’ll admit I was a little hesitant about my destination, given that it was directly across an area known as First Burying Ground that hosted all sorts of tales. Most luckily, I met neither witch nor foe. Instead, a hot sun, clear skies, and the fresh cut lawns of North Andover bid me welcome.

Fellow intern, John, met me at the annual Printing Arts Fair at The Museum of Printing. We set up our table on the second floor of the museum and watched book arts enthusiasts filter in and out, enjoying the numerous interesting exhibitors. Our exhibit featured several different books that we had a feeling might be of interest to the guests of the Printing Arts Fair. Many families stopped to chat about how they were quite familiar with a few of our books and perused some of our more recent titles. A lucky raffle winner won a copy of Personal Impressions: The Small Printing Press in Nineteenth-Century America by Elizabeth M. Harris.

Some guest favorites at our table included Lettered Creatures by Brad Leithauser, The Library of Babel by Jorge Luis Borges, Anatomy of a Typeface by Alexander Lawson, and Bibliotopia: Or Mr. Gilbar’s Book of Books & Catch-all of Literary Facts and Curiosities by Steven Gilbar.


Unfortunately our exhibit being on the second floor meant we were missing out on all the fun outside, so John and I took turns exploring other parts of the building and checking out the booths outside the front of the museum. I was initially surprised by the number of young children in tow at the fair but soon discovered there were demonstration tables set up for all ages to enjoy, giving many visitors the opportunity to print. This was very exciting to see, as many conversations that occurred at our table seemed to include the phrases “a dying art,” “kids these days,” and “I remember when.” One of the main goals of the fair appeared to be engaging young children, which is certainly of key importance when considering educating all ages on the history of printing and introducing the refined beauty of book arts.

We’re pleased to have attended the fair and been given the opportunity to share our books with true printing aficionados!

To visit The Museum of Printing, visit their website http://museumofprinting.org for hours and admission information.

We're looking for Fall interns!

Interested in learning the inner workings of an established independent book publishing house in downtown Boston? Do you want exposure and experience to everything from editing and proofreading to sales/marketing and production projects?

If so, we're looking for a few excellent interns for the Fall!

Godine offers general internships designed to expose students and recent graduates to the full range of operations of an independent publishing house. In addition to general office administration (mail, phones, etc.) interns work with our staff on a daily basis on tasks in all departments: editorial, publicity, marketing & sales, and production. Beyond that, interns are generally assigned a long-range project that is tied more closely to a specific title on our list.

While preference is given to candidates with an interest in editorial work, students with an interest in the business side of publishing are encouraged to apply. We are looking for people with strong basic office skills (Word, Excel, FileMaker Pro), and good basic proofreading and editorial skills. Experience with graphic arts software (Quark, InDesign, Photoshop, Illustrator) is welcome but is not a prerequisite. We require a minimum commitment of 20 hours a week for 3-4 months. Internships are unpaid. A writing sample is unnecessary.

Applications for fall internships are due by July 15. Please send your resume and cover letter (by post) to our new address:

David R. Godine, Publisher
Fifteen Court Square, Suite 320
Boston, MA 02108

No phone calls or emails, please.

Superior Person's Tuesday!

Jactation n. Boasting, bragging. A specialized – indeed highly specialized – variant is jactitation, as in "jactitation of a marriage": falsely putting it about that you are married to a particular person. Both words may be of use in wedding reception speechmaking, but the author leaves the specifics of this to the reader.


Each Tuesday, we’ll offer up a Superior Word for the edification of our Superior Readers, via the volumes of the inimitable Peter Bowler. You can purchase all or any of the four Superior Person’s Books of Words from the Godine website. Jactation appears in the First.

Miss Etta and Dr. Claribel in the Boston Globe!

A thank you goes to Jan Gardner at the Boston Globe for the Miss Etta and Dr. Claribel: Bringing Matisse to America mention yesterday:

Now comes the story of another unlikely pair of art collectors. Like Herb and Dorothy, the Cone sisters learned about art as they collected. Yet coming from a wealthy family, they didn’t bother with a budget. Still, Etta and Claribel Cone spent their money wisely. They bought what they liked, and what they liked was works by Henri Matisse, with whom they became friends.

The sisters’ taste in art was impeccable. Their collection — including 500 Matisses and 2,500 works by Picasso, Cézanne, Gauguin, and others — was bequeathed to the Baltimore Museum of Art when Etta died in 1949.

This summer the legacy of the Cone sisters is being highlighted in a new book and exhibit. Susan Fillion, who teaches drawing at the Baltimore Museum of Art, has written and illustrated “Miss Etta and Dr. Claribel: Bringing Matisse to America’’ (Godine). Growing up in Baltimore, Fillion learned of the globetrotting sisters who bonded with fellow Baltimore residents Gertrude Stein and her brother Leo over their mutual love of art.

With her book, Fillion hopes to introduce a younger generation to these sisters who, in following their bliss, amassed an important art collection. Readers will recognize many of the paintings reproduced in Fillion’s book, reproductions likely to stir an interest in seeing the originals. That can be done at “Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore’’ at the Jewish Museum in New York City through Sept. 25.

Susan Fillion's Event in Cambridge

Another wonderful event by Susan Fillion to celebrate the publication of her book Miss Etta and Dr. Claribel: Bringing Matisse to America! Last Tuesday Susan came to town and gave her packed audience at the Porter Square Bookstore in Cambridge a mini-course in modern art, complete with slides. To call the event a reading would be misleading—Susan does not so much read from her book as entertain, delight, and instruct. A natural speaker, and trained docent, she leads you to her book indirectly, so that the real treat, the book itself, still awaits you, beckoning beneath its jewel-colored jacket.

A big thanks to Jory Hearst, Susan’s niece and a Porter Square Books employee, for helping to make the event such a success, and to all those who came from near and far (including Eva, Susan’s daughter, whose surprise visit made her day)!

Photos from the event:

Susan Fillion with her editor at Godine (and the author of this post), Susan Barba

Fillion with David R. Godine

Superior Person's Tuesday!

Slubber v. To smear or dirty something, or to wallow in something. Three-year-olds and politicians are good slubberers.


Each Tuesday, we’ll offer up a Superior Word for the edification of our Superior Readers, via the volumes of the inimitable Peter Bowler. You can purchase all or any of the four Superior Person’s Books of Words from the Godine website. Slubber appears in the Second.

Reading: An Historical Perspective

I'm a fiction writer. I believe in fiction writing—through most of my reading life, it's been stories that have brought me meaning—but my favorite writer today is not a fiction writer, he's an historian. I don't see a paradox between the professional fabricator (fiction writer) and the presumed truth teller (historian). They borrow from one another. The fiction writer uses what he knows of facts and real events and incorporates them into his imagination. The historian weaves together original and secondary source materials into a readable structure to produce compelling characters, story lines of interest, and narratives that move through time. When I remember The Guns of August and A Distant Mirror by that great writer, Barbara W. Tuchman, these historical texts appear in my memory like novels.

Even in grade school I had a sensibility for the past. One of my friends, Mike Saunders, had an interest in the Depression, and we would have long discussions about life in the old days. Saturday afternoons I would go to the movies—Westerns, mainly. I knew the shows were pretty much bullshit, but the idea of the West—wide open spaces, rugged individualism, firearms worn at the hip, and no Catholics and hence no Sunday mass (or so I thought) seemed like pretty good living to me. I loved war movies, especially the wars from ancient times. I see from all the video games these days that boys still do love wars. War lite is fun. Real war, not so fun.

I've written one historical novel, The Old American. It was a hard book to write (they're all hard to write) but reading the books necessary to familiarize myself with a time period was great fun. There's something about knowing you're going to write a book that sharpens your reading, gives it dimension, so that unlike leisure-reading the content stays with you in great detail and satisfies in a deeper way.

My reading of history continues to influence my writing and my world view. One of my favorite books is A Great and Noble Scheme: The Tragic Story of the Expulsion of French Acadians from Their American Homeland by John Mack Faragher. The author writes about the Acadians being deported from their lands in Nova Scotia in 1755. Many of them died. Some found their way to Louisiana. Today their descendants are known as Cajuns. My ancestors in old Acadia escaped "Le Grand Derangement" and settled in Quebec, moving to New Hampshire in the early 20th century. Faragher's book gave me information and moral support in the writing of my new novel, Never Back Down, which will be published in September.

The historian who has had the most profound effect on my understanding of what it means to be an American and my favorite writer today is David Hackett Fischer, author of Champlain's Dream, Washington's Crossing, Paul Revere's Ride, and Albion's Seed. America can not be summarized in one nor even a dozen books, but if I had to pick a book that best represents us as a people it would be Albion's Seed. Should it be required reading? Of course not. Once you require someone to read something they'll secretly or overtly hate that book and its author for the rest of their lives. It's a weird world we live in, and it's the job the fiction writers and the historians to try to make sense of it or, failing in that enterprise, entertain us.

Hebert lives in New Hampshire and teaches writing at Dartmouth College. His novels in­clude The Old American and the acclaimed six-volume Darby series. Godine will publish his forthcoming novel, Never Back Down, in September 2011.